Ready for release in 1999 following his work on the Magnolia score, an Atlantic records A&R man told Brion Meaningless was too good to let get tied up in major label legal battles, and ended up freeing him from his contract to release the record himself (through his site, jonbrion.com). We should thank him. Though Brion's debut may not rely on personality—his voice is fairly anonymous—it's a thoroughly enjoyable listen and a grower to boot. And while Meaningless may be a triumph of craft over pure inspiration in some aspects, its music remains as powerful a testament to the value of the latter—a theorem once posed by Brion's heroes Bacharach and Badfinger—as there ever was. Very seventies, indeed.
Jon Brion Meaningless
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